Sin City Presents
Princess Goes To The Butterfly Museum
GBP20.00
SIN CITY IS PROUD TO PRESENT
PRINCESS GOES TO THE BUTTERFLY MUSEUM
Princess Goes To The Butterfly Museum is a trio comprised of vocalist, lyricist, musician and Golden Globe and Screen Actors Guild Award-winning and Emmy-nominated actor Michael C. Hall (Dexter, Six Feet Under, Hedwig and the Angry Inch), keyboardist Matt Katz-Bohen (Blondie), and drummer Peter Yanowitz (The Wallflowers, Morningwood). A theatrical sensibility is part of the trio’s DNA, especially in live shows, having met several years ago on Broadway during the production of Hedwig and the Angry Inch.
[You Tube url=“https://www.youtube.com/watch?v=cryJ7kf2Kj8”]
The band eschews traditional rock instrumentation in favor of a stripped-down synthesizer-and-drum attack, heard on the forthcoming full-length album Thanks For Coming, which follows their 2020 self-titled EP that drew praise from Paper, Alternative Press, Associated Press, Consequence of Sound, People, American Songwriter, Magnet and more. A wealth of disparate influences flow into Princess Goes to the Butterfly Museum’s songs - the glam, experimental, ambient music of David Bowie, Giorgio Moroder’s ‘70s disco productions for Donna Summer, ‘80s new wave dance music, contemporary electronic dance acts like Justice, and the roster of France’s Ed Banger label. Much of the lyrics on Thanks For Coming reflect the sinister and sublime sides of the dystopian coin. Lead single “Eat an Eraser” likens an eraser to a memory-wiping device and speaks of the anxiety surrounding the forecasted apocalypse. While waiting on our imagined future, we tripped into the now.
PRINCESS GOES TO THE BUTTERFLY MUSEUM
Princess Goes To The Butterfly Museum is a trio comprised of vocalist, lyricist, musician and Golden Globe and Screen Actors Guild Award-winning and Emmy-nominated actor Michael C. Hall (Dexter, Six Feet Under, Hedwig and the Angry Inch), keyboardist Matt Katz-Bohen (Blondie), and drummer Peter Yanowitz (The Wallflowers, Morningwood). A theatrical sensibility is part of the trio’s DNA, especially in live shows, having met several years ago on Broadway during the production of Hedwig and the Angry Inch.
[You Tube url=“https://www.youtube.com/watch?v=cryJ7kf2Kj8”]
The band eschews traditional rock instrumentation in favor of a stripped-down synthesizer-and-drum attack, heard on the forthcoming full-length album Thanks For Coming, which follows their 2020 self-titled EP that drew praise from Paper, Alternative Press, Associated Press, Consequence of Sound, People, American Songwriter, Magnet and more. A wealth of disparate influences flow into Princess Goes to the Butterfly Museum’s songs - the glam, experimental, ambient music of David Bowie, Giorgio Moroder’s ‘70s disco productions for Donna Summer, ‘80s new wave dance music, contemporary electronic dance acts like Justice, and the roster of France’s Ed Banger label. Much of the lyrics on Thanks For Coming reflect the sinister and sublime sides of the dystopian coin. Lead single “Eat an Eraser” likens an eraser to a memory-wiping device and speaks of the anxiety surrounding the forecasted apocalypse. While waiting on our imagined future, we tripped into the now.
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